Therefore 33 RPM points both to the medium (vinyl) and to the time (33+/- years between the old/new pieces) over which the above musical transformation took place. At 45 RPM: 12-inch records, while more prevalent than 7-inch 33 RPM records are much less common than the standard records. Side A addresses solo pieces with accompaniment (from 80's prerecorded tape to current electronics) while side B is rougher, stripped in nature and more suggestive of a "live in the studio" sensation. On one hand contemporary by the recontextualization of such material while at the same time nostalgic by its offering of a familiar cradling musical sensation from the past.Īnd with nostalgia, what's better (besides the sonic quality) than enjoying the music on vinyl, resonating the above ideas both in format and listening manner with two very distinct sides. These I find fascinating as they hold a double (almost contradicting) quality. Binding it all together is my ongoing interest in nostalgia, here taking shape in the presence of harmonies which could roughly be categorised as tonal or modal. These outer sleeves will help protect the jackets of your collectible 12-inch albums. Designed for use with both single and double LPs. At the same time a central idea was to counterpoint such classics with recent creations to reveal something of the aesthetic, instrumental and idiomatic change that has taken place in New Art Music for electric guitar. The BCW 33 1/3 Record Album Sleeves are an acid free, archival quality product made of crystal-clear polypropylene. Published titles Īs of November 2021, 161 books have been published in the main series.For a long time I have wanted to tackle canonic repertoire and offer my perspective on certain works. ![]() Hatsune Miku by Keisuke Yamada and Yoko Kanno's Cowboy Bebop Soundtrack by Rose Bridges. The first books for 33 + 1⁄ 3 Japan were Supercell ft. ![]() The first book for 33 + 1⁄ 3 Brazil was Caetano Veloso's A Foreign Sound by Barbara Browning. ![]() The first two sub-series launched were 33 + 1⁄ 3 Brazil, edited by Jason Stanyek, and 33 + 1⁄ 3 Japan, edited by Noriko Manabe. In August 2017, Bloomsbury announced the launch of 33 + 1⁄ 3 Global, an extension of the 33 + 1⁄ 3 series to popular music from around the world. 78 RPM, Vinyl record Coleman Hawkins with Dizzy Gillespie Disorder At The Border/ Feeling Zero Apollo, 1944. 78 RPM, Vinyl record Duke Ellington Take The A Train/ Sidewalks Of New York Victor, 1941. A rejected proposal from writer Brett Milano for an entry on Game Theory's 1987 album Lolita Nation was instead expanded by Milano into a biography on the band's leader Scott Miller that project, titled Don't All Thank Me at Once: The Lost Genius of Scott Miller, was released by 125 Books in 2015. Along with Dizzy Gillespie Bud Johnson, Max Roach, Oscar Pettiford and Clyde Hart are included on this session. Joe Bonomo, at the invitation of Barker, expanded his 33 + 1⁄ 3 proposal on Jerry Lee Lewis's Live at the Star Club, Hamburg album into a full-length book about Lewis, the album, and his career titled Jerry Lee Lewis: Lost and Found, published by Continuum in 2009. The first, Carl Wilson's 2007 entry on Celine Dion's Let's Talk About Love, was expanded for a 2014 Bloomsbury reissue with material not specifically pertaining to the Dion album and retitled Let's Talk About Love: Why Other People Have Such Bad Taste. ![]() Several independent books have been spun off of the series. Leah Babb-Rosenfeld has been the editor of the series since 2016. Following a leave, Barker was replaced by Grossan in January 2013. In 2010, Continuum was bought out by Bloomsbury Publishing, which continues to publish the series. PopMatters wrote that the range consists of "obscure classics to more usual suspects by the Beach Boys, the Beatles, and the Rolling Stones". One-time series editor Ally-Jane Grossan mentioned that Barker was "an obsessive music fan who thought, 'This is a really cool idea, why don't we apply this to albums'. At the time, Continuum published a series of short books on literature called Continuum Contemporaries. Originally published by Continuum, the series was founded by editor David Barker in 2003.
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